Since college, I've been a devoted Ani Difranco fan. If a CD were as delicate as a record, I would've worn away the grooves on Out of Range (1994) long ago. Some of her lyrics—so wise, so feminist, and so sexy—floor me to this day. I even introduced my great aunt Holly to her music. In the late '90s my sister and I took her to see Ani perform at the Beacon Theater on the Upper West Side. I'm not sure what she thought, exactly, when she heard this small, fierce woman sing the lyrics to "Untouchable Face," but she looked momentarily shocked and then, a little giddy. (Holly was a song-writer and playwright, so I like to think a tiny part of her appreciated Ani, even though her use of the F-bomb to address a lover might have shocked Holly's refined sensibility.)
So...I was thrilled when my friend Jennifer Baumgardner asked me to review Ani's memoir for the Women's Review of Books. Here's the review, for your reading pleasure: Download DifrancoReview PDF
I wrote an insider's guide to Denver's start-up scene for the March/April issue of Inc. See here for the online version.
Many are drawn to Denver--Inc.'s No. 8 Surge City--for its laid-back, weed-friendly culture, which certainly doesn't stop with its plethora of cannabis startups. Here's everything you need to know about the city's entrepreneurial scene, from which investors to meet with to where to do Bend and Blaze yoga.
Hot Deal Spots
Entrepreneurs and investors take meetings at Denver Central Market, a warehouse-turned-gourmet food hall in the heart of the River North (RiNo) district, which flaunts a creamery, a butcher, a bakery, a fishmonger, and a wood-fired pizzeria. "It's slammed," says Tom Higley of early-stage accelerator 10.10.10, "but you can always find a seat."
The Commons on Champa, formed by a public-private partnership four years ago, is a hub for early-stage startups that provides free co-working space, with the option to rent out conference rooms and event space.
Cultivated Synergy is where cannapreneurs congregate. This lively co-working space in the RiNo district has communal workspaces, five private offices--occupants include a concentrates company and a payroll firm--and Bend and Blaze yoga. At night, it transforms into an event venue where even nonmembers can attend everything from beer tastings and bat mitzvahs to budtender-appreciation parties.
Neighborhoods
Tech execs and employees tend to work and live in bustling LoDo (Lower Downtown), given its proximity to co-working spaces CTRL Collective and two WeWorks, Facebook and Slack outposts, the commuter rail to the airport--and Kimbal Musk's restaurant, the Kitchen.
The RiNo Art District, formerly a manufacturing neighborhood, is home to design studios, architecture firms, art galleries, and startups, like online interior-design marketplace Havenly.
CBD (no, not that--the Central Business District) was once a neighborhood just for finance and energy stalwarts. Today, startups including Geospiza, Nanno, and Salt have colonized the area.
STATS
$27.02
Average cost per square foot of office space for the Denver metro area.
Source: The Downtown Denver Partnership
45
Number of co-working spaces in central Denver.
Source: The Downtown Denver Partnership
216
cannabis dispensaries and 272 indoor-grow locations reside in Denver.
Source: Excise and Licenses, City and County of Denver
Red Flags
The city has yet to see a unicorn. "We'll get seed and Series A funding, but then usually have to raise capital from the coasts," says Paul Foley, managing director at SmartCapital. When it comes to VC capital, Foley estimates that New York City gets 20 percent, Northern California gets 40 percent, and Denver gets a meager 0.6 percent. "So companies here exit earlier," he says. "You get faster, smaller exits."
The Players
Chris Onan, a co-founder of Galvanize, a Denver-based national coding school, is a strategy consultant-turned-venture capitalist who has invested in more than 200 companies. Onan can typically be found linking startups in the Denver-Boulder tech scene with talent or capital. "He's a superconnector," says Erik Mitisek, co-founder of Denver Startup Week. "He's our VC prince of the city."
Jenna Walker.CREDIT: Laura Murray
Jenna Walker was a professional photographer before co-founding online photo book Artifact Uprising. She sold her Denver-based company to VSCO in 2014, and recently became entrepreneur-in-residence of Techstars Sustainability in Partnership with the Nature Conservancy, which backs 10 entrepreneurs per year, like those behind Node, a Seattle-based company that makes eco prefab homes.
Erik Mitisek.CREDIT: Courtesy subject
Erik Mitisek, the chief innovation officer for Colorado governor John Hickenlooper and former CEO of the Colorado Technology Association, is indispensable when it comes to startups in this town. He co-founded Denver Startup Week, launched the Commons on Champa and the online booking agent Next Great Place, and is now president of financial software company IMAgine Analytics.
Brands to Watch
Jaclyn Fu and Lia Winograd launched Pepper, maker of bras for small-chested women, in 2017. "Most bra companies design for a single standard size: 36C," and then scale it up or down, says Fu. Pepper fixes the "cup gap."
If you're still searching for your ideal cannabis, order a genetic test from Green Genomix. The early-stage company, founded by Jackson Rowland, will send a DNA collection kit to analyze genetics like CB1 receptors, and then provide a report revealing which strain, consumption method, and ratio of CBD to THC is best for you.
Amy Baglan was on OkCupid and Match, but "it was such a sad experience," she says. An avid yogi with a regular meditation practice, in 2015 she launched MeetMindful, a dating app for the mindful-living crowd.
Founded by Bryan Leach in 2012, Ibotta makes a shopping app that allows people to earn cash back on everyday purchases. It's one of the largest consumer tech companies in Denver, with 500 employees.
CREDIT: Aaron Meshon
Talent Pipeline
University of Denver's Project X-ITE runs an entrepreneurship workshop series, an incubator, and an accelerator that has produced startups including Boobi Butter, which makes breast-care products and encourages women to get regular breast exams.
Accelerator and venture fund CanopyBoulder has invested in a slew of cannabis-related companies, including digital signage outfit GreenScreens and Würk, a payroll company.
Early-stage accelerator 10.10.10 invites 10 successful serial entrepreneurs to Denver to solve one of 10 "wicked problems" in 10 days. Graduates include Spout, maker of a device that can be used with a smartphone to analyze the levels of lead and other contaminants in a drop of water.
Recent Big Exits
$2 billion SendGrid, to Twilio (2018)
$1.68 billion ViaWest, to Peak 10 (2017)
$230 million Craftsy, to NBC Universal (2017)
Recently Funded Startups
Welltok, a health care software company, raised $75 million in 2018, bringing its total funding to a reported $251.7 million.
CyberGRX, a cyber-risk platform company, raised $30 million in 2018.
Galvanize, one of the largest coding schools in the United States, raised $32 million in 2018--bringing its total funding to more than $167 million--and then acquired San Francisco-based Hack Reactor.
I got to profile Bertony Faustin, a fantastic winemaker here in Oregon, for the Makers issue of Food & Wine. See below for the full article.
When Bertony Faustin opened his Abbey Creek Vineyard tasting room in 2012, he’d regularly greet customers who’d then ask, “Who’s the winemaker?”
“When I’d say, ‘It’s me,’ they’d have this look of disbelief,” Faustin says. Faustin, who is black and hails from Brooklyn, knew he was the first recorded black winemaker in Oregon, but, he adds, he didn’t want to own it. At least, not until 2015, when Oregon was celebrating 50 years of winemaking. “All they were talking about was legacies, pedigree, the past,” says Faustin. “No one was talking about the future.”
So Faustin—with the help of his filmmaker friend Jerry Bell Jr.—decided to make a documentary about Oregon’s minority winemakers. The film, calledRed, White & Black: An Oregon Wine Story, tells the stories of Faustin and several of his winemaking colleagues. Among them are Jesus Guillén, the Mexican-American winemaker at White Rose Estate who passed away in November 2018, but in just his second year as head winemaker, earned a 96 from the Wine Advocate for his “whole cluster” Pinot Noir; Jarod Sleet, now the assistant winemaker at ROCO Winery, who in the film was a cellar assistant at Argyle; Remy Drabkin of Remy Wines in McMinnville, Oregon, who worked her first crush in 1995 (at Ponzi) and is gay; and André Mack, a former sommelier at Per Se who now makes wines in Oregon under the Maison Noir label. A disparate crew, they have in common a desire to reach non–wine drinkers by making wine more accessible and less pretentious than how it is often perceived; the film vividly documents their ambitions and achievements.
The trailer for Red, White & Black: an Oregon Wine Story
Faustin himself could be called a maverick winemaker, though not because he’s a minority. His 15-acre vineyard is located in the urban West Hills of Portland, Oregon. When he decided to take over his in-laws’ vineyard in 2007, he had never had so much as a sip of wine. “I was like, worst case: I’ll make raisins!” he says, laughing. Now, after 10 years of winemaking, he’s got a sure hand. He works with six grape varieties: Pinot Noir, Pinot Gris, Chardonnay, Gewürztraminer, Albariño, and Gamay Noir. Several of these wines sell out quickly. But Faustin is not much interested in chatting about terroir or skin contact. Geeky wine talk along those lines, he says, alienates the very people he hopes to bring into the wine-drinking fold. Instead, at his tasting room, hip-hop and R & B are the backdrop, creating a mellow, comfortable atmosphere for drinking wine—one where everybody feels welcome.
Three to Try
To purchase Faustin’s wines or plan a trip to the tasting room, visit abbeycreekvineyard.com.
2017 Abbey Creek Chardonnay Best of Both ($25)
This rich Chardonnay has a honeysuckle scent and balanced acidity. A blend of oak and stainless, it can please both camps of Chardonnay drinkers.
2014 Abbey Creek Pinot Noir Cuvée ($45)
Faustin sources the fruit for this elegant Pinot from his top block of estate vines for a wine with hints of blackberries and a silky mouthfeel.
2017 Abbey Creek Gewürztraminer ($29)
Only available on tap at the Abbey Creek tasting room, this slightly effervescent Gewürztraminer is refreshingly bone-dry and reminiscent of cider.
I was happy to contribute a hotel review for Travel + Leisure's 2019 It List, the magazine's favorite new and radically redone hotels of the year.
A room at the Hoxton in Portland, Oregon
Walk into the Hoxton in Portland’s Chinatown and you’ll feel like you’ve entered a stylish co-working space. Creatives are tapping away at laptops or taking meetings in oversized lounge chairs. The Portland property, like all Hoxtons, has an open lobby — you’re welcome to hang out even if you’re not staying here. Other famed Hoxton policies are in place here, too: free wi-fi, street pricing for the mini bar, and a complimentary breakfast bag hung on your door each morning. Rooms have a Northwest-chic vibe with wood paneling, vintage furniture from local shops, and art from Portland’s Upfor Gallery. Best of all are the trio of in-house restaurants, all managed by renowned chef Joshua McFadden’s company Submarine Hospitality (known for Ava Gene’s and Tusk). On the ground floor is La Neta, a superb vegetable-forward Mexican restaurant helmed by chef Johnny Leach, who turns out unusual dishes like acorn squash with mole, roasted Brussels sprouts with pomegranate, sunflower seeds, and aged cotija, and kale enchiladas. Ascend to the rooftop for Mexican street food at Tope, a lively taqueria with agave-infused cocktails, a rooftop deck, and — for those cold, rainy evenings — a communal fireplace. In the basement is a sultry Chinese speakeasy that features Soju-and-Baiju-based cocktails mixed with teas and Asian ingredients (pickled ginger, yuzu, wasabi, etc.) and Chinese-American fare like beef and broccoli and chop suey. Doubles from $95.
My new favorite Brussels sprouts dish in all of Portland!
The nifty floor in the lobby coffee bar, an outpost of Aussie café Proud Mary.
By now, the wine-drinking public is familiar with sustainability descriptors like organic, biodynamic, and even natural. They’ve been to LEED-certified wineries, and they may even have heard about a more holistic certification, called B Corps, which takes into account the way a business treats its employees, its environment, and its community. But a new wave of winemakers is working with ultra-sustainable practices—some of which are so groundbreaking they don’t even have a certification yet. SevenFifty Daily spoke with winemakers who are setting the bar with green building and agroecological farming practices to learn why they’re worth pursuing—and how they can help create a more sustainable future.
A “Living Building” Tasting Room
A few years ago, when Cowhorn winemaker Bill Steele was planning a new tasting room at his Jacksonville, Oregon, winery, he had a game-changing conversation with Stephen Aiguier, the founder and president of Green Hammer. Steele and his wife, Barbara, knew they wanted a green building. Aiguier listened as Steele talked about his aversion to chemicals in the field and in the cellar.
“We wanted a building that was consistent with our biodynamic farming philosophy,” says Steele, whose winery is located in the Applegate Valley AVA. “And Stephen said, ‘It sounds like you’re describing the Living Building Challenge.’” Once Aiguier started explaining it, the Steeles were all in.
The most rigorous standard for green buildings in the world, the Living Building Challenge (LBC) was formulated by the Seattle-based International Living Future Institute (ILFI) in 2006. It’s designed around seven performance areas, referred to as petals. Unlike other certifiers of green buildings, the ILFI won’t certify a building until a full year after it’s completed. That’s because some of the building’s petals—namely, energy and water—require 12 months of continuous occupancy before they can be shown to work in accordance with the challenge. The Energy Petal requires that the building produce 10 percent more energy than it consumes; the Water Petal requires (among other things) that 100 percent of the project’s water needs be supplied by captured precipitation or other natural closed-loop water systems.
There’s a reason it’s called a challenge.
For Green Hammer and the Steeles, it was the Materials Petal that posed the biggest challenge—it requires the architect to reject materials that contain any one of more than 800 chemicals on the International Living Future Institute’s Red List. Since there are no reporting standards for the building industry, this means the architect of an LBC project has to call each manufacturer to ask if its products contain any of the Red List chemicals. Aiguier spent more than a thousand hours on the phone with companies, asking questions about their products’ components and microcomponents. When making these calls, he says, “you sound like a crazy hippie. A lot of people essentially hang up.”
Barb and Bill Steele of Cowhorn. Photo by Clair Thorington.
But the Green Hammer team persisted. Fortunately, the ILFI has a product database of nontoxic building materials (made without Red List chemicals) called Declare. High-profile companies—Etsy and Google, for example—have publicly signed on to using Declare products in their buildings. As a result, materials vendors are starting to reformulate their products and be more transparent about what’s in them.
In May 2018, Cowhorn’s tasting room became the first winery tasting room in the world to be named a Certified Living Building. And it’s not that other wineries haven’t tried. Sokol Blosser, which had already achieved a U.S. Green Building Council LEED certification for its barrel cellar in 2002, aimed for LBC with its new tasting room but was unable to achieve certification.
